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	<title>Comments for Jeff Smack : Direction + Design</title>
	<atom:link href="http://jsmack.com/comments/feed/" rel="self" type="application/rss+xml" />
	<link>http://jsmack.com</link>
	<description>underpromise. overdeliver.</description>
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		<title>Comment on Practice. by jsmack</title>
		<link>http://jsmack.com/2012/01/practice/#comment-2882</link>
		<dc:creator>jsmack</dc:creator>
		<pubDate>Sun, 29 Jan 2012 19:33:43 +0000</pubDate>
		<guid isPermaLink="false">http://jsmack.com/?p=985#comment-2882</guid>
		<description>As long as we&#039;re talking infinites, that works too. Lately, flipping a coin has been much more efficient though.</description>
		<content:encoded><![CDATA[<p>As long as we&#8217;re talking infinites, that works too. Lately, flipping a coin has been much more efficient though.</p>
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		<title>Comment on Practice. by kieran</title>
		<link>http://jsmack.com/2012/01/practice/#comment-2881</link>
		<dc:creator>kieran</dc:creator>
		<pubDate>Sun, 29 Jan 2012 19:26:22 +0000</pubDate>
		<guid isPermaLink="false">http://jsmack.com/?p=985#comment-2881</guid>
		<description>Hugging it out with infinitely favorable possibilities leaves me all warm &amp; fuzzy. I think I&#039;d like a t-shirt that says: &quot;I&#039;m with Infinitely Favorable Possibilities.&quot;</description>
		<content:encoded><![CDATA[<p>Hugging it out with infinitely favorable possibilities leaves me all warm &amp; fuzzy. I think I&#8217;d like a t-shirt that says: &#8220;I&#8217;m with Infinitely Favorable Possibilities.&#8221;</p>
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		<title>Comment on Aram Bartholl&#8217;s &quot;Dead Drops&quot; by +++</title>
		<link>http://jsmack.com/2010/11/aram-bartholls-dead-drops/#comment-1891</link>
		<dc:creator>+++</dc:creator>
		<pubDate>Thu, 22 Sep 2011 12:49:08 +0000</pubDate>
		<guid isPermaLink="false">http://www.jsmack.com/?p=458#comment-1891</guid>
		<description>More Dead Drop story over at Animal New York : http://animalnewyork.com/2011/09/dead-drop-drive-with-cold-war-secrets-installed-in-berlins-spy-tower/</description>
		<content:encoded><![CDATA[<p>More Dead Drop story over at Animal New York : <a href="http://animalnewyork.com/2011/09/dead-drop-drive-with-cold-war-secrets-installed-in-berlins-spy-tower/" rel="nofollow">http://animalnewyork.com/2011/09/dead-drop-drive-with-cold-war-secrets-installed-in-berlins-spy-tower/</a></p>
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		<title>Comment on Black Markers by jsmack</title>
		<link>http://jsmack.com/2011/03/black-markers/#comment-977</link>
		<dc:creator>jsmack</dc:creator>
		<pubDate>Wed, 30 Mar 2011 15:35:55 +0000</pubDate>
		<guid isPermaLink="false">http://jsmack.com/?p=853#comment-977</guid>
		<description>Wow. I just got the poster in the mail. Each marker is illustrated by the artist. That takes the dedication one level further. Also it came with 4 crisp black push pins. Beautiful</description>
		<content:encoded><![CDATA[<p>Wow. I just got the poster in the mail. Each marker is illustrated by the artist. That takes the dedication one level further. Also it came with 4 crisp black push pins. Beautiful</p>
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		<title>Comment on BLK Book : a thing of beauty by jsmack</title>
		<link>http://jsmack.com/2011/01/blk-book-a-thing-of-beauty/#comment-964</link>
		<dc:creator>jsmack</dc:creator>
		<pubDate>Mon, 28 Mar 2011 12:25:25 +0000</pubDate>
		<guid isPermaLink="false">http://jsmack.com/?p=777#comment-964</guid>
		<description>These things still are not available for purchase!</description>
		<content:encoded><![CDATA[<p>These things still are not available for purchase!</p>
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		<title>Comment on Healing Toxic Future Music by Barfy</title>
		<link>http://jsmack.com/2011/02/toxic-future/#comment-849</link>
		<dc:creator>Barfy</dc:creator>
		<pubDate>Thu, 10 Mar 2011 14:57:17 +0000</pubDate>
		<guid isPermaLink="false">http://jsmack.com/?p=819#comment-849</guid>
		<description>If that show flyer is any indication, the future of music is bright.. albeit a bit red-hued and acid-rainy.</description>
		<content:encoded><![CDATA[<p>If that show flyer is any indication, the future of music is bright.. albeit a bit red-hued and acid-rainy.</p>
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		<title>Comment on Self Portrait : Blind Contour by jsmack</title>
		<link>http://jsmack.com/2011/01/self-portrait-blind-contour/#comment-585</link>
		<dc:creator>jsmack</dc:creator>
		<pubDate>Tue, 01 Feb 2011 21:52:47 +0000</pubDate>
		<guid isPermaLink="false">http://jsmack.com/?p=790#comment-585</guid>
		<description>I prefer Rasputine Mesmerizer.</description>
		<content:encoded><![CDATA[<p>I prefer Rasputine Mesmerizer.</p>
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		<title>Comment on Self Portrait : Blind Contour by Malk</title>
		<link>http://jsmack.com/2011/01/self-portrait-blind-contour/#comment-579</link>
		<dc:creator>Malk</dc:creator>
		<pubDate>Tue, 01 Feb 2011 19:44:01 +0000</pubDate>
		<guid isPermaLink="false">http://jsmack.com/?p=790#comment-579</guid>
		<description>A Portrait of the Artist as a Mephistophelian Hypnotizer.</description>
		<content:encoded><![CDATA[<p>A Portrait of the Artist as a Mephistophelian Hypnotizer.</p>
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		<title>Comment on Fishbone, The Story by jsmack</title>
		<link>http://jsmack.com/2011/01/fishbone-the-story/#comment-536</link>
		<dc:creator>jsmack</dc:creator>
		<pubDate>Fri, 28 Jan 2011 16:51:42 +0000</pubDate>
		<guid isPermaLink="false">http://jsmack.com/?p=761#comment-536</guid>
		<description>I don&#039;t claim to be a music blogger expert but I&#039;ve thought about this so I&#039;d say that Fishbone would have been glad to get rich. They just never did. They only focused on being themselves through the music. Where as Fugazi deliberately only profited enough to cover cost and pursue a creative vision further, as far as I know. Superchunk ( I think started the label MERGE ) was a very business savvy group and used the business to prioritize the music, broadening their creative options and nurturing a scene. Commercially viable, commercially unproven, commercially successful...if you&#039;re going to attempt a career in music you have to be somewhere in there, unless you&#039;re the king&#039;s harpist or something.</description>
		<content:encoded><![CDATA[<p>I don&#8217;t claim to be a music blogger expert but I&#8217;ve thought about this so I&#8217;d say that Fishbone would have been glad to get rich. They just never did. They only focused on being themselves through the music. Where as Fugazi deliberately only profited enough to cover cost and pursue a creative vision further, as far as I know. Superchunk ( I think started the label MERGE ) was a very business savvy group and used the business to prioritize the music, broadening their creative options and nurturing a scene. Commercially viable, commercially unproven, commercially successful&#8230;if you&#8217;re going to attempt a career in music you have to be somewhere in there, unless you&#8217;re the king&#8217;s harpist or something.</p>
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		<title>Comment on Fishbone, The Story by Malk</title>
		<link>http://jsmack.com/2011/01/fishbone-the-story/#comment-532</link>
		<dc:creator>Malk</dc:creator>
		<pubDate>Fri, 28 Jan 2011 04:10:05 +0000</pubDate>
		<guid isPermaLink="false">http://jsmack.com/?p=761#comment-532</guid>
		<description>those were hand-me-down bands from this guy Christopher who used to babysit me and my siblings.  He drove around with a little Violent Femmes sticker on his mazda and ragged on lead singers that wore trench coats in music videos (e.g. Mister Mister).  

But getting back to fishbone: it is possible that their sound - that particular brand of funk/punk - was less commercial by definition?  Also, is there a distinction between commercially unsuccessful and underground? (It&#039;s becoming increasingly obvious that I&#039;m in over my depth, out of my head...) e.g. How do they compare to Fugazi or Superchunk in these respects?</description>
		<content:encoded><![CDATA[<p>those were hand-me-down bands from this guy Christopher who used to babysit me and my siblings.  He drove around with a little Violent Femmes sticker on his mazda and ragged on lead singers that wore trench coats in music videos (e.g. Mister Mister).  </p>
<p>But getting back to fishbone: it is possible that their sound &#8211; that particular brand of funk/punk &#8211; was less commercial by definition?  Also, is there a distinction between commercially unsuccessful and underground? (It&#8217;s becoming increasingly obvious that I&#8217;m in over my depth, out of my head&#8230;) e.g. How do they compare to Fugazi or Superchunk in these respects?</p>
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